Jenny Steele’s current practice uses the heritage crafts of hand weaving, basket weaving and passementerie to create sculptures that explore ideas of memory, ritual, grief, festive celebration and belonging.
Kathryn Poole (ACPS Research Technician) awarded Laureate of the Rector of the Academy of Fine Arts in Katawice at this years SMTG International Print Triennial.
Emily Speed and Helen Cammock join WIP to explore and interrogate print in a wonderful evolution of exploration through materials.
Lubaina Himid continues her collaborative work with Magda Stawarska (Research Fellow), researching the connection between painting and printmaking.
Women In Print artists Dr Heather Mullender Ross, Dr Jackie Haynes and Rebecca Chesney are all showing work as part of BTB23.
Kathryn Poole had her first solo exhibition at The Birley Studios and Project Space in May. The exhibition ‘Bypass Wildlife’ consisted of drawings and animations of roadkill found on her commute to and from Preston.’
In February Heather Peak joined us as part of our Women In Print project. This creative research project developed by ACPS, explore show print making processes can enhance the profiles and expand the practices of women
ACPS researchers contributed to Impact 12, international printmaking conference. Hosted by Centre for Fine Print Research (CFPR), University of West of England (UWE)
Kathryn Poole had work selected for the Royal Academy Summer show in London.
John Angus – screen printed posters from the late 70s / early 80s, collected by New York collector of punk graphics and author of two books on the subject.
Magda Stawarska’s Time Spent Holding contribution to the Lubaina Himid exhibition at Tate Modern
Artist A & Artist B joined the Women In Print project to work on S.O.I : statement of intent.